FW: Bush's Response to Kerry (speech in MO)
Bush's Response to Kerry’s ramblings at the DNC:
(link is a transcript of Bush’s speech in MO):
http://www.foxnews.com/printer_friendly_story/0,3566,127583,00.html
one word: sweeet….
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Bush's Response to Kerry’s ramblings at the DNC:
lgf: We Sleep at Our Own Peril: A Comment by a user named kehenry1. Follow this link to see a slide show put together by Charles Johnsohn, the great lizardoid master.
Confused about all of the different wars and 'conflicts' in the world? Can't seem to keep it straight? You're not alone! Maybe this link will help you sort it out in your own mind:
A UK research paper on the current situation in the Sudan. LGF is having some great discussion threads on Sudan, and elsewhere. I recommend a jaunt over there for some insightful remarks and comments.
lgf:: "The Syrian musicians who behaved in such a disturbing way aboard Annie Jacobsen�s now-famous Northwest Airlines flight that they were pulled aside and screened by FBI and immigration after landing, were traveling with expired visas�and not one of the investigators even thought to look at the dates"
National Review Online (http://www.nationalreview.com): "To the Iraqis, an army that could take out a feared Saddam in three weeks surely should have had free cell phones and air-conditioners on demand in two."
Terror in the Skies, Again? - WomensWallStreet: "Terror in the Skies, Again?
Jacobsen recounts a white-knuckle flight from Detroit to Los Angeles, that she and her husband shared with a group of about 15 Middle Eastern men (they turned out to be Syrians) who were almost certainly (judging from her description) conducting a dry run for a repeat of September 11, with teams of hijackers prepared for passenger resistance.
From Kopel's Fifty Six Deceits...
Moore Lied!!!
I saw the film today, and yes, it’s amazingly mendacious. Since there are already so many others doing a great job of debunking “Two Cheeseburgers” Moore, I’d like to write about an aspect of the film that nearly pulled me in—and ended up making me furious at Moore.
Moore knew he would have to deal with the actual 9/11 attacks somehow; so after the long, boring intro explaining how Bush stole the 2000 election (please, moonbats, stop with this already), we see the footage of the 9/11 atrocities.
Well, actually no—we don’t. Moore cuts to a black screen, and plays only the sounds of the attacks, before an extended montage of drifting ashes and papers, artfully floating through the air while mournful music plays.
At first, I thought this was a clever and effective way to evoke the memories of the worst terrorist attack on US soil.
And then, the question occurred to me: why would someone who clearly understands the power of images choose not to show the most powerful images of our time?
Because Moore knew that if he showed those images, which have been mostly absent from media for almost 3 years, he ran the risk of awakening the anger and feelings of intense danger we all experienced that day.
And that was a risk he could not run—because it could very well spoil the tone of the rest of the film, and expose him for the smirking, unserious buffoon he is.
After the blank screen 9/11 section of the film, he cuts almost immediately to scenes from talk shows, with bumbling people trying to sell anti-terrorism gadgets, and interviews several anti-Bush talking heads about the “climate of fear” that the Bush administration imposed on the country.
Moore is a canny filmmaker. He realized that if he segued immediately to this snarky, derisive viewpoint after showing people jumping to their deaths from the top of the World Trade Center, some of the Moore Koolaid drinkers might feel twinges of conscience; they might remember what it felt like to see the largest buildings in New York City collapse, crushing and ripping apart the bodies of thousands of their fellow Americans. Some of them might even start to come out from under Moore’s cinematic spell, if such an ugly reality were allowed to intrude.
They might get mad. And some of them would be mad at him.
So Moore, cowardly to the bottom of his hateful little shriveled soul, cut to a black screen.
Haaretz: "Court: Fence violates international law, must be dismantled "